{"id":1032,"date":"2020-08-13T09:13:14","date_gmt":"2020-08-13T07:13:14","guid":{"rendered":"http:\/\/festimalles.fr\/?page_id=1032"},"modified":"2020-08-28T09:38:33","modified_gmt":"2020-08-28T07:38:33","slug":"adulte","status":"publish","type":"page","link":"https:\/\/festimalles.fr\/index.php\/adulte\/","title":{"rendered":"Adulte"},"content":{"rendered":"\n<p class=\"has-text-align-center has-vivid-cyan-blue-color has-text-color\" style=\"font-size:24px\"><strong>Bibliographie Adulte<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Accord&nbsp;<\/strong>\u2013 CH\u00c9N\u00c9 Julien<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>CHATELAIN-LE PENNEC Mado, avec la participation de BOAL Julian,&nbsp;<em>Dans les coulisses du social, Th\u00e9\u00e2tre de l\u2019opprim\u00e9 et travail social<\/em>, Eres, 2010<\/li><li>BAILLY Jean-Christophe,&nbsp;<em>L\u2019\u00e9largissement du po\u00e8me<\/em>, Christian BOURGOIS \u00e9diteur, 2015<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Annexe<\/strong>&nbsp;\u2013 DUPONT Gwena\u00ebl<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>ANNEXE,&nbsp;<em>\u00c9crire et faire \u00e9crire dans l\u2019espace public<\/em>, 2020<\/li><li>BON Fran\u00e7ois,&nbsp;<em>Tous les mots sont adultes<\/em>, Fayard, 2005<\/li><li>HADDAD Hubert,&nbsp;<em>Le nouveau magasin d\u2019\u00e9criture<\/em>, ZULMA, 2006<\/li><li>FRIOT Bernard,&nbsp;<em>L\u2019agenda du (presque) po\u00e8te<\/em>, La Martini\u00e8re Jeunesse, 2007<\/li><li>PENNAC Daniel,&nbsp;<em>Comme un Roman<\/em>, Gallimard, 1992<\/li><li>RANCIERE Jacques,&nbsp;<em>Le Ma\u00eetre Ignorant<\/em>, Fayard, 1987<\/li><li>MONCOND\u2019HUY Dominique,&nbsp;<em>Pratiques oulipiennes : Anthologie<\/em>, Gallimard, 2004<\/li><li>SOULIER Nicolas,&nbsp;<em>Reconqu\u00e9rir les rues<\/em>, \u00e9ditions Eugen Ulmer, 2012<\/li><li>DELGADO Manuel, L\u2019espace public comme id\u00e9ologie, CMDE \u00e9ditions, 2016<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>A main lev\u00e9e&nbsp;<\/strong>\u2013 MANCEL Willy<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Gherasim Luca (en contemporain). Une s\u00e9lection po\u00e9tique du 19\u00e8me, vraisemblablement encore de la po\u00e9sie de Aim\u00e9 Cesaire ou de Edouard Glissant<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ateliers de l\u2019Ant\u00e9monde<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>ATELIERS DE L\u2019ANT\u00c9MONDE,&nbsp;<em>B\u00e2tir aussi<\/em>, \u00e9ditions Cambourakis, 2018<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>BROYART Beno\u00eet<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>BROYART Beno\u00eet et RICHARD Laurent,&nbsp;<em>Nanaqui, une vie d\u2019Antonin Artaud.<\/em>Gl\u00e9nat, 2019<\/li><li>BROYART Beno\u00eet,&nbsp;<em>Aupr\u00e8s de mon arbre<\/em>. La maison est en carton, 2013<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Collectif le Thermog\u00e8ne<\/strong>&nbsp;\u2013 IGLUKA Ana<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>ZASK&nbsp;Jo\u00eblle,&nbsp;<em>Participer<\/em>, \u00e9ditions Le Bord de l\u2019Eau, 2011<\/li><li>IGLUKA Ana,&nbsp;<em>Daou Deod<\/em>. Ch\u00e2teauroux-les-Alpes : Gros textes, 201<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Compagnie la Cabane&nbsp;<\/strong>\u2013 GARNIER S\u00e9verine<\/p>\n\n\n\n<p>Po\u00e9sie de S\u00e9verine \u00c9<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>MAHE S\u00e9verine et TERBAL Elackim,&nbsp;<em>7 femmes<\/em>, \u00e9ditions Soc et Foc, 2010<\/li><li>\u00c9 S\u00e9verine et MA\u00cfO Laurent,&nbsp;<em>Le taiseux<\/em>, \u00e9ditions du Petit Rameur, 2019<\/li><\/ul>\n\n\n\n<p>Po\u00e9sie<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>GELL\u00c9 Albane,&nbsp;<em>En toutes circonstances<\/em>,&nbsp;<em>Je te nous aime<\/em>,&nbsp;<em>Je, cheval<\/em>,&nbsp;<em>De p\u00e8re en fille<\/em>,&nbsp;<em>Si je suis de ce monde<\/em>&nbsp;et&nbsp;<em>Un bruit de verre en elle<\/em><\/li><li>BOBIN Christian,&nbsp;<em>Prisonnier au berceau<\/em>,&nbsp;<em>L\u2019enchantement simple<\/em>,&nbsp;<em>La pr\u00e9sence pure<\/em>&nbsp;et&nbsp;<em>L\u2019homme joie<\/em><\/li><li>DUBOST Patrick,&nbsp;<em>Ego nun sum sed vos amo<\/em>, Color gang<strong>,<\/strong>&nbsp;2014<\/li><li>Armand le po\u00eate,&nbsp;<em>Amour(s) toujours<\/em>, \u00e9ditions Gros Textes, 2013<\/li><li>VINAU Thomas,&nbsp;<em>Comme un lundi<\/em>&nbsp;et&nbsp;<em>Juste apr\u00e8s la pluie<\/em><\/li><li>DEMEY Lo\u00efc,&nbsp;<em>Je, d\u2019un accident ou d\u2019amour<\/em>, Cheyne \u00e9diteur, 2014<\/li><li>NAGA Ito,&nbsp;<em>Je sais<\/em>, Cheyne \u00e9diteur, 2006<\/li><li>SKALOVA Marina,&nbsp;<em>Atemnot<\/em><em>(souffle court),<\/em>&nbsp;Cheyne \u00e9diteur, 2016<\/li><li>GUILLEVIC Eug\u00e8ne,&nbsp;<em>Art po\u00e9tique,<\/em>&nbsp;Gallimard, 2001<\/li><li>COULON C\u00e9cile,&nbsp;<em>Les ronces<\/em>&nbsp;et&nbsp;<em>Noir Volcan<\/em><\/li><li>SWIATLY Fabienne,&nbsp;<em>44 br\u00e8ves de Saint Nazaire<\/em>&nbsp;et&nbsp;<em>Elles sont au service<\/em><\/li><\/ul>\n\n\n\n<p>Danse<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>BOISSEAU Rosita,&nbsp;<em>Philippe D\u00e9coufl\u00e9<\/em>, Textuel, 2003<\/li><li>GINOT Isabelle et MICHEL Marcelle,&nbsp;<em>La danse au XX\u00e8me si\u00e8cle,&nbsp;<\/em>Larousse, 2008<\/li><li>VOGEL Walter,&nbsp;<em>Pina<\/em>, Arche, 2014<\/li><li>FRETARD Dominique,&nbsp;<em>Danse et non-danse,&nbsp;<\/em>Cercle d\u2019art, 2004<\/li><li>BOISSEAU Rosita et GATTINONI Christian,&nbsp;<em>Danse et art contemporain,&nbsp;<\/em>Scala Eds Nouvelles,2011<\/li><li>NOISETTE Philipe,&nbsp;<em>Danse contemporaine : le guide<\/em>, \u00e9ditions Flammarion, 2019<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>B\u00c9NAMEUR Jeanne,&nbsp;<em>L\u2019exil n\u2019a pas d\u2019ombre<\/em>, \u00e9ditions Doucey, 2019<\/li><li>LABBIZE Souad,&nbsp;<em>Je franchis les barbel\u00e9s<\/em>, \u00e9ditions Bruno Doucey, 2019<\/li><li>LAABI Abdellatif,&nbsp;<em>L\u2019arbre \u00e0 po\u00e8mes<\/em>, Gallimard, 2016<\/li><li>VIGUIER Jasmine,&nbsp;<em>Nord int\u00e9rieur<\/em>, Contre-all\u00e9es, 2011<\/li><li>LINDER Val\u00e9rie et P\u00c2QUE Claudine,&nbsp;<em>Vibrionnante<\/em>, Esperlu\u00e8te Eds, 2017<\/li><li>G LUCAS Sophie,&nbsp;<em>Se recoudre \u00e0 la terre (avec neige)<\/em>,&nbsp;<em>Prendre les oiseaux par les cornes<\/em>&nbsp;et&nbsp;<em>Assommons les po\u00e8tes<\/em><\/li><li>ROUZEAU Val\u00e9rie,&nbsp;<em>Pas revoir, Mange matin,&nbsp;<\/em>et<em>&nbsp;R\u00e9cipients d\u2019air<\/em><\/li><li>THUILLIER Val\u00e9rie,&nbsp;<em>Tu t\u2019en vas<\/em>, L\u2019id\u00e9e bleue, 2004<\/li><li>COTTET Franck,&nbsp;<em>Un hiver comme un autre<\/em>&nbsp;et&nbsp;<em>Ce qui flotte encore<\/em><\/li><li>COTTRON-DAUBIGN\u00c9 Patricia,&nbsp;<em>Croquis D\u00e9molition,&nbsp;<\/em>Editions de La Diff\u00e9rence,&nbsp;<em>2011<\/em><\/li><li>DREYFUS Ariane,&nbsp;<em>La belle vitesse<\/em>&nbsp;et&nbsp;<em>L\u2019Inhabitable<\/em><\/li><li>EMAZ Antoine,&nbsp;<em>Peu importe<\/em>,&nbsp;<em>Peau<\/em>,<em>&nbsp;Sable<\/em>&nbsp;et&nbsp;<em>Cuisin<\/em>e<\/li><li>JOYAUX V\u00e9ronique,&nbsp;<em>Les \u00e2mes petites<\/em>&nbsp;et&nbsp;<em>L\u2019insurrection po\u00e9tique : manifeste pour vivre ici<\/em>, \u00e9ditions Bruno Doucey<\/li><li>SUEL Lucien,&nbsp;<em>Les d\u00e9riv\u00e9es<\/em>, Berguette, 1992<\/li><li>PENNEQUIN Charles,&nbsp;<em>La ville est un trou<\/em>, P.O.L, 2007<\/li><li>BUKOWSKY Charles,&nbsp;<em>Les jours s\u2019en vont comme des chevaux sauvages dans les collines<\/em>, Points, 2011<\/li><li>FANTE Dan,&nbsp;<em>Bons baisers de la grosse barmaid<\/em>, Points, 2014<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Cultures du Coeur<\/strong>&nbsp;\u2013 NALLAMOUTOU Coralia et BEAUMONT Laetitia<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>199 drapeaux<\/em><\/li><li>G\u2019PALEMO,&nbsp;<em>Le Routard<\/em><\/li><li><em>La Sarthe Vue du Ciel&nbsp;<\/em>\u2013 Ouest France et Maine Libre<\/li><li>LENOIR Aur\u00e9lie et Maud TYCKAERT,&nbsp;<em>Les Tr\u00e9sors de l\u2019Unesco en France en 2019,<\/em>&nbsp;\u00e9ditions Belles ballades, 2018<\/li><li>PANACCIONE Gr\u00e9gory, LUPANO Wilfrid,&nbsp;<em>Un Oc\u00e9an d\u2019amou<\/em>r, Delcourt, 2014<\/li><li>LITTLE Toby, Cher Monde, Pygmalion-G\u00e9rard Watelet, 2017<\/li><li>HAVETTE Servane,&nbsp;<em>Je t\u2019aime du bout du monde<\/em>, \u00e9ditions du Jasmin, 2008<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>GFEN \u2013<\/strong>COHEN SOLAL H\u00e9l\u00e8ne<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>NEUMAYER Michel, FONTAINE Marianne, LASSABLIERE Pascale, RASSON Natalie, Pr\u00e9face de No\u00eblle De Smet,&nbsp;<em>Cr\u00e9er en Education nouvelle. Savoirs, imaginaires, liens au coeur des ateliers d\u2019\u00e9criture et de lecture<\/em>, Editions&nbsp;Chronique sociale, 2018<\/li><li>NEUMAYER Odette et NEUMAYER Michel,&nbsp;<em>Animer un atelier d\u2019\u00e9criture. Faire de l\u2019\u00e9criture un bien partag\u00e9<\/em>, ESF \u00e9diteur, 2003<\/li><li>Odette et Michel NEUMAYER, en coop\u00e9ration avec Antoinette BATTISTELLI, Marc LASSERRE et Christiane RAMBAUD,&nbsp;<em>Pratiquer le dialogue arts plastiques \u2013 \u00e9criture : 15 ateliers de cr\u00e9ation pour l\u2019\u00c9ducation Nouvelle<\/em>, Chronique Sociale, 2005<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Invenio-Dico<\/strong>&nbsp;\u2013 AUTIN Olivier<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>BANTIGNY Ludivine,&nbsp;<em>L\u2019\u0153uvre du temps<\/em>, \u00c9ditions de la Sorbonne, 2019<\/li><li>JOLY Frederic,&nbsp;<em>La langue confisqu\u00e9e, lire Victor Klemperer aujourd\u2019hui<\/em>, Premier Parall\u00e8le, 2019<\/li><li>MARTIN Jean-Baptiste et DECOURT Nadine,&nbsp;<em>Litt\u00e9rature orale : paroles vivantes et mouvantes<\/em>, Presse Universitaire de Lyon, collection \u00ab&nbsp;Itin\u00e9rance&nbsp;\u00bb, 2003<\/li><li>de CONCILIIS Eleonora,&nbsp;<em>Violence et m\u00e9tamorphoses : le pouvoir des mots et de l\u2019\u00e9criture<\/em>, Asinamali, 2019<\/li><li>AUTEREAUX Patrick,&nbsp;<em>La Voix \u00e9crite<\/em>, Verdier, 2017<\/li><li>LAISNEY Vincent,&nbsp;<em>En lisant, en \u00e9coutant<\/em>, Les impressions nouvelles, 2017<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>JACQUES Beno\u00eet<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>JACQUES Beno\u00eet,&nbsp;<em>Poppeup !<\/em>&nbsp;\u00e9ditions Beno\u00eet Jacques Books, 2019<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Jojo la plume<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2017<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>La L\u00e9gende de Pioung Fou \/ Livre 3 : Le Fleuve Gingin<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2016<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Ay ! Mi amor<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2015<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>La L\u00e9gende de Pioung Fou \/ Livre 2 : La For\u00eat de Liang Gang Niang<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2014<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>La Vall\u00e9e enchant\u00e9e<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2013<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>La L\u00e9gende de Pioung Fou \/ Livre 1 :<\/em>&nbsp;<em>Auberge de Tinong Binong<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2012<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Vivre (un po\u00e8me pour)<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2011<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Wa Zo Kong<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2009<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>La nuit du visiteur<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2008<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Je te tiens,<\/em>&nbsp;\u00e9ditions Beno\u00eet Jacques Books, 2003<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Titi Nounours et la sousoupe au pilipili<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2002<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Comique trip<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 2001<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Made in England<\/em>, \u00e9ditions Beno\u00eet Jacques Books, 1991<\/li><li>JACQUES Beno\u00eet, Le bestiaire expressionniste, \u00e9ditions Beno\u00eet Jacques Books, 1990<\/li><li>JACQUES Beno\u00eet,&nbsp;<em>Play it by ear<\/em>&nbsp;<em>1989<\/em>. Editions de l\u2019Association \u00ab L \u00bb 2011<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>PENEZ Ad\u00e8le<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>JR,&nbsp;<em>Les rides<\/em>, Phaidon, 2019<\/li><li>DOR\u00c9MUS Ga\u00ebtan,&nbsp;<em>Rhino des villes<\/em>, Autrement Jeunesse, 2010<\/li><li>SLINKACHU,&nbsp;<em>Little people in the city<\/em>, Boxtree LTD, 2008<\/li><li>SLINKACHU,&nbsp;<em>Global Model Village : The international street art of Slinkachu<\/em>, Boxtree LTD, 2012<\/li><li>BUENO Renata,&nbsp;<em>Dr\u00f4les de monstres<\/em>, Moka \u00e9ditions, 2016<\/li><li>ACERBIS Francesco,&nbsp;<em>Mon safari dans Paris<\/em>, Sarbacane, 2012<\/li><li>ACERBIS Francesco,&nbsp;<em>abc ville, S<\/em>arbacane, 2017<\/li><li>CHRIXCEL et Codex URBANUS,&nbsp;<em>Le bestiaire fantastique du street ar<\/em>t, \u00e9ditions Alternatives, 2018<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Livre&rsquo;s<\/strong> &#8211; MICHEL Val\u00e9rie<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Collection \u00ab Pli et Po\u00e8me \u00bb<\/p>\n\n\n\n<p>Petit objet litt\u00e9raire et po\u00e9tique \u00e0 d\u00e9plier, \u00e0 replier, \u00e0 lire, \u00e0 partager\u2026<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>N\u00b01 ; A<em>ppel des commencements<\/em><\/li><li>N\u00b02 ; B<em>erceuse<\/em><\/li><li>N\u00b03 ;&nbsp;<em>Avoir vingt ans<\/em><\/li><li>N\u00b04 ;&nbsp;<em>Villes<\/em><\/li><li>N\u00b05 ;&nbsp;<em>La grande question<\/em><\/li><li>N\u00b06 ;&nbsp;<em>La libert\u00e9 du vent<\/em><\/li><li>N\u00b07 ;&nbsp;<em>La beaut\u00e9 de l\u2019ombre<\/em><\/li><li>N\u00b08 ;&nbsp;<em>Le galet<\/em><\/li><li>N\u00b09 ;&nbsp;<em>Le Limousin Pliau<\/em><\/li><li>N\u00b010 ;&nbsp;<em>La fleur des origines<\/em><\/li><li>N\u00b011 ;&nbsp;<em>Robe de soi<\/em><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Collection \u00ab Les Butineuses d\u2019Imaginaire \u00bb<\/p>\n\n\n\n<p>Nouvelles Po\u00e9tiques illustr\u00e9es<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>N\u00b01 ;&nbsp;<em>Jardin d\u2019en haut, jardin d\u2019en bas<\/em><\/li><li>N\u00b02 ;&nbsp;<em>Rue El Zafran<\/em><\/li><li>N\u00b03 ;&nbsp;<em>La saveur du beignet<\/em><\/li><li>N\u00b04 ;&nbsp;<em>Le bonheur du jour<\/em><\/li><li>N\u00b05 ;&nbsp;<em>Le go\u00fbt du voyage<\/em><\/li><li>N\u00b06 ; Les perles de Roza<\/li><li>N\u00b07 ;&nbsp;<em>L\u2019herbe mouill\u00e9e sous les pommiers<\/em><\/li><li>N\u00b08;&nbsp;<em>Pause m\u00e9ridienne<\/em><\/li><li>N\u00b09 ;&nbsp;<em>Trentemoult<\/em><\/li><li>N\u00b010 ;&nbsp;<em>L\u2019invitation<\/em><\/li><\/ul>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Maison Fumetti<\/strong>&nbsp;\u2013 CHIFFOLEAU Emile<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>ADAM Benjamin,&nbsp;<em>H\u00f4pital public : Entretiens avec le personnel hospitalier<\/em>, \u00e9ditions Vide Cocagne, 2016<\/li><li>RYU Pat,&nbsp;<em>D\u00e9sob\u00e9isseurs<\/em>, \u00e9ditions Vide Cocagne, 2013<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>POISSENOT Claude<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>AUBERT Claire,&nbsp;<em>Des gestes de lecteurs<\/em>, Saint-Germain-sur-Ille, Editions du commun, 2016<\/li><li>LE BART Christian,&nbsp;<em>L\u2019individualisation<\/em>, Paris, Presses de Sciences-Po, 2009.<\/li><li>L\u00c9VY Clara,&nbsp;<em>Le roman d\u2019une vie&nbsp;: les livres de chevet et leurs lecteurs<\/em>, Paris, Hermann, 2015.<\/li><li>OCTOBRE Sylvie,&nbsp;<em>Deux pouces et des neurones&nbsp;: les cultures juv\u00e9niles de l\u2019\u00e8re m\u00e9diatique \u00e0 l\u2019\u00e8re num\u00e9rique<\/em>, Paris, La Documentation fran\u00e7aise, 2014.<\/li><li>PETIT Mich\u00e8le,&nbsp;<em>Lire le monde&nbsp;: exp\u00e9riences de transmission culturelle aujourd\u2019hui<\/em>, Paris, Belin, 2014.<\/li><li>POISSENOT Claude,&nbsp;<em>Sociologie de la lecture<\/em>, Paris, Armand Colin, 2019.<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>PaQ\u2019la Lune<\/strong>&nbsp;\u2013 CHAUVET Christophe<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>RENARD Sylvain,&nbsp;<em>Un monde sans livres (ou presque)<\/em>, Color Gang, 2015<\/li><li>RENARD Sylvain,&nbsp;<em>Open Space<\/em>&nbsp;<em>: Com\u00e9die technologique<\/em>, Color Gand, 2011<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center has-vivid-cyan-blue-color has-text-color\"><strong>Bibliographie Jeunesse<\/strong><\/p>\n\n\n\n<p>En construction<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bibliographie Adulte Accord&nbsp;\u2013 CH\u00c9N\u00c9 Julien CHATELAIN-LE PENNEC Mado, avec la participation de BOAL Julian,&nbsp;Dans les coulisses du social, Th\u00e9\u00e2tre de l\u2019opprim\u00e9 et travail social, Eres, 2010 BAILLY Jean-Christophe,&nbsp;L\u2019\u00e9largissement du po\u00e8me, Christian BOURGOIS \u00e9diteur, 2015 Annexe&nbsp;\u2013 DUPONT Gwena\u00ebl ANNEXE,&nbsp;\u00c9crire et faire \u00e9crire dans l\u2019espace public, 2020 BON Fran\u00e7ois,&nbsp;Tous les mots sont adultes, Fayard, 2005 HADDAD Hubert,&nbsp;Le&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1032","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/pages\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":16,"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/pages\/1032\/revisions"}],"predecessor-version":[{"id":1218,"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/pages\/1032\/revisions\/1218"}],"wp:attachment":[{"href":"https:\/\/festimalles.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}